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Teenage mutant ninja turtles 2014 elevator scene
Teenage mutant ninja turtles 2014 elevator scene












teenage mutant ninja turtles 2014 elevator scene
  1. #Teenage mutant ninja turtles 2014 elevator scene movie#
  2. #Teenage mutant ninja turtles 2014 elevator scene crack#

In the grand tradition of The Amazing Spider-Man and its beloved sequel, everything is connected in some stupid way that prevents the plot from doing anything remotely unpredictable.

teenage mutant ninja turtles 2014 elevator scene

But whatever it is, Sacks is definitely not gonna do it because he’s obviously pure evil (remember, he’s William Fichtner also, he’s rocking the “Nicolas Cage in Next” look, which is never a good sign).

#Teenage mutant ninja turtles 2014 elevator scene crack#

To crack this terrible problem, the mayor has contracted local millionaire Eric Sacks ( William Fichtner) to help out by doing.something. When the film begins, New York City is living under the oppressive toe of The Foot, the streets supposedly so unsafe that literally the only time a civilian is in any danger whatsoever is when they’re used as bait to lure the Turtles out of hiding.

#Teenage mutant ninja turtles 2014 elevator scene movie#

The Director and Producers of “Teenage Mutant Ninja Turtles” Know That You Think the Movie Will Suckįor starters, Liebsman tries to return the Turtles to their pulp comic roots by making this into one of those 'gritty' reboots, but, as is so often the case with the director (see: Battle: Los Angeles, Wrath of the Titans), he can’t commit to the choice. Teenage Mutant Ninja Turtles should always be ready for a reboot, because the Turtles themselves are naturally defined by the present moment. He’s like Arielle in The Little Mermaid, all spoons but no prince. Michelangelo’s “Cowabunga!” catchphrase isn’t just a word that he picked up slinking around the streets of New York circa the late ‘80s-it’s a flimsy bit of kitsch that he hangs onto like a life raft, the only thing connecting him to life as it’s lived in the daylight. Leonardo, Raphael, Michelangelo, and Donatello, while always tethered to the grandness of their renaissance namesakes, are perfect reflections of the world around them. Aside from intrepid reporter April O’Neil ( Megan Fox) and a few assorted outcasts, the Turtles’ only connection to the world above them is through whatever errant snippets of pop culture they happen to encounter between fighting the evil Shredder ( Tohoru Masamune) and his strictly uniformed league of henchmen, the Foot Clan. The important thing is that the titular terrapins are freaks of nature, and are forced to live underground because their very existence would frighten the public they’ve sworn to protect.Īnd though they’re heroes in a half shell, they’re also tragically normal kids, cut off from anything that resembles a normal social life. But one of this year’s biggest hits is a movie about a talking raccoon and a sentient tree shooting their way across space, so whatever. The premise might seem too absurd to connect with mainstream audiences: four turtles are transformed into pubescent humanoid karate fighters (which isn’t quite as catchy) and live in the sewers of Manhattan under the tutelage of their frail rat master. Of all the franchises that Hollywood has tried to endlessly regurgitate until they choke, Teenage Mutant Ninja Turtles should be one of the easiest to dismantle and reconceive from scratch.














Teenage mutant ninja turtles 2014 elevator scene